last day of the year going to a friend's house picked this i have heard one amp album before and it did nothing for me, this immediately made me go ☺️ with the swirling hypnosis of feedback and loops sparkling pitch shifts and high res synth, will hopefully last me the entire journey i have to get bus and then train. jason campbell is active again which is exciting, downloaded the one he released yesterday and will download the one he released like an hour ago when i am able as i was writing that he put ufo hnw on bandcamp holy shit!!!!!!!!!the second track is so pretty i love the sweeping crashing guitar intro and the mellowed out feedback drones and reverbed pretty vocals and i am zoned out a lot admiring the purity and the sweeping noise underneath. third track is a reprise of the first track it is more gorgeous optimistic guitar drone swaying tones ciecling round yr head and stuff i love it brilliant hypnotic purity the noise sweeps come back i go 🐹🐹🐹🐹.
everything miraculously works in the morning, i have no idea what happened maybe somethign weird with the power i dont know ok. true crime pe stuff by scarlet diva based around news samples, interviews and stuf with parents of the victims it seems, noise on the first track is headache inducing it sucks it is ugly and bad, has a sample of the mother of pauline reade i assume. second track has no noise it is just a news clip of interview with parents. THIRD TRACK ugly amplifier blown out rattling rigid filth whiny feedback scraping metallic circular motion harsh! fourth track more news samples with no noise it is sad but the dramatic music and the reporter is silly just play th fucking interview. fifth track is news samples interviews through a rattly pedal chain the sound is fine i just think it doesnt add anything. sixth track is a little wall it has big washes of noise and rigid scrapes behind it and a subtle rubbery bass its fine i guess it is very much like waves crashing against the rocks. seventh track is another news report just a little blown out not any noise accompaniment, it is sad. eighth track is quite long so i am hoping it is something, my friend i think has read the gates of janus i wonder if it is worthwile probably not i cant stmoach stuff like that, OKAY THIS is back to the rattling metallic harsh noise from the third track took them long enough fcking hell this is quite intense violent noise i like the introduction of the bass throb explosions it is exciting. i get this idea of this album it is trying to do one of those collage pieces like victimology + dirge but i dont know the samples are sad it is just maybe the sampling is too thoughtless? i dont know, definitely could have used some trimming because i was swaying in interest, especially with the noise + interview peices because i was struggling to focus on what they were saying, that wall track did nothing for me either. the full on harsh stuff is very ncie though and a good catharsis for having listened to people cry for the rest of the duration. not entirely worthwile, try something else probably.
big split wall split various ideas nice cover train cemetery! track is first track nice earthy crackle, gravel layers with cave reverb, center dripping, cave atmospherics, love the deep bass end love the. condo horro side is a harsh noise big sound washes of noise and sputtering through layers of fumbling static studies and violent oscillations, feedback electronics, not purist wall it goes between different sound on top of wash of noise, happy nice sounds ngood and made time go fast i rlly like it. rien side is thankfully a soft electric sizzle extreme static minimalism like cut cables i love stuf like this, need to find some more rien stuff like this i am not too fussed on some other rien stuff, oh yea if you know where i can listen to the train cemetery rien split please get in contact. not finishing this until tomorrow i tried recording something and have now found all of my pedals dont fucking work even ones i havent used in a year or so i have tried everything i can think of oh my fcking god ill listen to guitar stuff instead right now. 30/12/22 uitgeschakeld track ugly distortion pedal with a bubbly bass end and nice mid rustling and highs, sound source is a loop with is quite :/ you can hear the loop point quite clearly, theres some little outbursts of eq switches and some complete timbre changes, mostly worse, wasnt totally into this one sorry i know he has done better stuff than this. the dosis letalis track is realy excellent sound grinding bubbling over hollow metal drag rusted over GREAT clarity of lots of layers i fkcing RLLY like this one. шумоизоляция track is nice harsh wall like avalanche , vry simple sound with nice sound distortionsnsnsnnsn hmmmmmmmmmmmmmmmmmm ok nice not a lot to say! overall split is entertaining.
excuse the mess i dont want to move anything
i got this i think last week, havent had an oppurtunity to play it, after work i wanted to to because it was long day and i couldnt think of any other wall stff to listen to. packaging is minimal but nice, the cd designs are quite nice i dont know its nice to have some sleep column stuff physical. first track fuzzy sputtering layers jump out immediately ontop of blown out bass end drag, hi and mid range scrape circling it, seemingly hard panned, good sound nice rigid good standard of sleep column wall, texture change around 50 mins in, thins out the scrape layer replaces it with rigid drag with a stone texture to it, quite good. second track has amplifier rattle circular motion, sandpaper type coarse textures bulging out my fckng headphones, very warm sound good rattle sounds mmmmmmmmmmmmmmmmmmmm bass is throbbing bulging bleak. these tracks are very long i got my moneys worth. around an hour in there is a slight timbre change, little tones emerging from th rattle, peeling back layers of nois, sounds rlly good. will continue in the morning, 29/12/22. 3rd track is strange ugly rubbery bass with rattling clawing mids and highs it is quite hmmmmmmmmmmmmmmmm strange but it isnt repulsive actually quite nice overtime. 4th track bleak rumbling throb deep blown out bass with hi s scarping along the sides i like this one it sounds rlly nice, some mid range taps like rain against window some glassy resonance, good. very nice long wall boxset, will try and find more of these to go through because i love this format i love hnw i love sleep column i l.
ooooooo new matt bower (AND samantha d) stuf.there was one the other day but it didnt seem interesting, this has a cat on the cover, this one is priority. i am guessing cat is called saturnalia like the skullflower song (and also the real thing) that is so cute. the music is cool as well big swirling drone swallowing tremolo pick noodling and riffless throbs. big awesome thick fuzzy and distortion comes in and drowns out the swirling drone and there is a riff guitar droning underneath some colourful soloing stuff , the riff guitar action is more interesting though. as skullflower "little treat" type stuff goes i think this is quite strong, especially because of the kind of slump they went through this year, good detox and nicely layered for a live recording. there isnt any ugly clipping wow amazing.
is this the first jason album i talk about on here????? intro from black christmas which i havent seen, wall with big muddy bass end and really fucking awesome layer of clawing sharp high and mid stuff, burning up in fire and stuff, breathing in fumes, coo.l. a small drone layer electronic buzz . not much to say other than i like it it is a jason wall it is death metal distortion it is a good sound and i like sitting and letting it happen. slightly bub bly overtime.
christmas! this is a christrmas wall! rigid fuzzy simple wall, main fuzz layer, softer static wash bass end a nd in th mids a little. fine, vry simple they have done better but i appreciate. second track is more crunchy the fuzz is uglier sputtering layer the sound is even simpler it is just this rigid fuzz and a sub bass, the fuzz layer has little embers to focus on. not particularly amazing or anything, i remember hearing about this war on christmas thing i think it is funny.
Nothing!
have had this downloaded for a while , been saving for a """""rainy day""""" coincidentally it is fukcig pouring down. some cleanish guitar tone, like a real guitar tone real people would use tremolo picking wide open spaces and two note melodies on the first track. second track plink plonk pretty piano with guitar battery on top that is ridiculously distorted, a cleaner noodling guitar behind that layer very nice. love these titles by the way the very witch of fuck what does that even mean, heavy rectum too that is a funny title, fake urghasm is my favourite title havent even heard th track ok i am hearing it now it is the third track it is bleak crunchy droning with wobbly strings and a porn sample in the left ear it sounds rlly oppresive thisrocks why is this one so short i could listen to it way longer, guitar sounds like construction. track 5 is drifting guitar solo fumbling on top of reverbed vocal drones and rambling vocals that seem s reflective of music nonspecific scenes and nonspecific homage. track 6 is gorgeous swirling psychedelia, droning feedback creaking whines and extended gorgeous guitar action ,some faint noodling tremolo picking stuff as well, favourite track so far and definitely one of the best total tracks. have work now i will listen to the second disc after work. 24/12/22 contiuation. did not listen after work because i had a rlly shit day just wanted to listen to the new nana grizol album and the love it love it album over and over. track 6 builds wonderfully over a silly cheap casio sounding drum loop, expanding guitar layers into a WOW moment because it keep going, lots of hammer ons and whiny feedback and tremolo picking and extend notes and stuf and some buried vocal samples which sounds so so so so so so so so good better than the track 5 probably. track 7 is ok it another loop based track and he is jamming with an organ sometimes mosly just string bends on top of a bass drone. track 8 is an extended bleak foggy drone, sounds mournful and 😟, sometimes he makes a plink plonk sound. track 9 HEAVY RECTUM is a rocking out moment i love rocking out and having fun, lovely drone and noodling over industrial rhythm. loop. track 9 is a version of the skullflower obsidian shaking codex trak, with some fun sunroof style sparkling sound electronics and some fun woodwind sounding feedback stuff, keeps going for too long even though it isnt particularly amazing sadly. the C side of this is rlly worthwile though the rest is quite mixed in terms of interest. love the cover and packaging on discogs looks rlly nice and pretty awesome cover lots of cool awesomm patterns.
hello i wouldnt usually recommend listening to something on spotify, i found this it came on on the bus i cant believe how fucking g g cool this is https://open.spotify.com/track/6bcgMGza7BR2vLmwcNzGoI?si=1ff09758129a4e3c just listen to the recommended tracks after it it is so lovely wow this is amazing i dont think i have seen anything like this beore i wonder how extensive it is.
hello rock tim e recommendation on the rate your music. richard ramirez and mr prurient fernow doing like creepy power electronics stuff with atrax morgue whisper vocals, i am not sure if i have heard this style of richard vocals on anything before maybe he has i rlly dont remember this is cool though the lyrics are giallo atrax morgue style as well ok nice. the richard contributions are nasty distorted whiny feedback fiddling of course, fernow does some """"beats"""" and some synthesiser drones and noise with metal sheet which do sound really nice richard is in the foreground though. richards approach of violent primitivism and simplicity seems to have rubbed off on the prurient fernow dom because the atmosphere is sparse and creepy minimal, when dom prurient feronnow does the reverbs on his metal banging i am so joyous and the spring delay too, actually all the atmospheric droney sounds are lovely horray. love track 5. these titles are awesome. fellatio chaos is pretty cool the feedback is really !!!!!!!!!!! i feel bad listening to this i think my headphones are bleeding sound everywhere. in th room.
i have the time for this today. oh my goooooooood this is fuckin g awesosme, wall album shifts around under big thick blanket of crunch fuzz and distortion ,m , lovely microphone feedback play and other primitive oscillations interrupting and getting swept up. drone synths buried in the mixx quite nicely. scraping interrupting i wont spoil the fun too much but thi s first trak is quite the JOURNEY lots of primitive sound and more variety than he will later do/ WOOOOOOOOOOOOAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA holy shit and more TONE sounds wow. secondv track is :)))) mmmmmm more swaying shifting wall a lot of layers and the feedback is here yay and some softer static layer comes in before going into the oscillator drones whines and stuff over lovlly wall last half an hour i was like ☺☺☺☺🙂☺🙂🙂🙂🙂☺ this one is very whiny :D. third is a regular wall it is crunchy distortion expected of this kind of period of vomir layer of fumbling static layer rolling bass and scrape, sounds a little jittery, cutting motion, quite nice i like it quite awesomse. fourth track is similar but better more sandpaper rigid , lots of subtle motion and tiny little layers, pretty much the vomir sound proper. very very like this very exceptional one i didnt have much to say about it har har har. 3 and half hour long. maybe the maisonbruitarchive next.
this is made by racist do not support download for free!!!on soulsekek!!!!!! basically a sequel to the sikiöasentostarts with some indoctrination of cock and fist synth stuff with a loop of saying i am darkness i am going to declare war or something and kicking around junk metal and droning cable buzz oooooooooooooooo good and then he drops the vocal loop out and says something i dont know and brings in a loop of singing people and breathing. distorted junk noise is here sounds like artillery quite cool so slow structure but that is fine it is slowly creeping in aggression and the whining feedback is getting louder! time is going fast i guess that must mean i am having a nice time. the vocal loop i forgot it was there i dont know if it faded out or not but it is getting drowned out. he is still going it is a little bit bassier wasnt expecting him to settle into a dirge immediately he has been going for i think half an hour with not much change it is making me a little dizzy. ok it is dirge for the rest of the duration , i am quite disappointed but whatever if i was listening to this in the background instead of full focus i would enjoy it more i would be all like yoooooo bizarre uproar nois wall!!!!! or smthn i dont know, no grand ending either.
i think i should be ok for the deadline there is quite a bit left to do but it can be done tomorrow it is fine. ok this is vomir album i am suprised i havent heard this, a little bit of squeaking in the back of the first track. obvious first though is this is less rigid than usual! this is like a ! blanket! of sound! more like big sheet of paper than a blanket actually, wobblin about sounds nice and i like it, layer behind that is distortion layer which is hi end shaking quite violently it sounds like, quite nice. bass layer is subtle breaths. definitely vomir but it is a little different i wonder if there will be anything else i notice. yes ok another mid range sound i can hear now it is strange motion i am trying to think of a good way to describe it, focusing on it make everything sound more stone like than bubbly what is happening i am going to describe the mid texture as like chains and now i am hearing everything as like winding big wheel with chains circlular motion oh my god this rocks. coma. ilove harsh noise wall! coma 2 is more rigid and more bass is here, scraping type texture sounds like, maybe sounds like a car crash brakes on car wont slow down in time that kind of thing like a cartoon.the bass is a little pounding and juddery, there is soft high layer of like a kind of silibant sound like someone making a silibant sound with their mouth. distortion layers of noise clammering over eachother grinding against eachother and theres some crackle on top for warmth it is quite sharp sounding. very metal thoughts on this one thinking lots of metal sounding junk metal sounding. theres a more muffled bass sound here i just noticed it sounds even more like a car crash sounds like tyres rigid against road i think i am quite firm in my car crash thoughts. a little bit of squeeze. good vomir i had so much to write about because of the length it is a good length though the first half of each track is like i get to hear everything second half i get to sit in it . good vomir
deadline tomorrow noooooooooooooo i have work noooooo at least it is break from computer. this is a classic pretty sure and i havent heard it for some reason. to much variety in textur and idea in first track love the wind nois in right ear and th cutups this is awesome i like this . didnt notice the next track start. quite a lot happening all the time quite a fun zoned out atmosphere. the guitar wank is just bouncing the strings with objects and pick scrape that is funny. some distortion is quite ugly but they compensate with more better distortion sounds like they are having fun. stupid fucking guitar solo. the synth playing is quite fun and silly the junky sounds are way better though i also like the throwing shit around the stereo field thing. he really just said waaaahooo. what the fuck is all these bug sounding synth stuff is this a different session? this is fun but #bringbackjunkmetal pls. last track is exactly what i wanted, new session lots of junk metal, sometimes sounds like they are trying to play melodies with th feedback, bass is ridiculous. ranges from nice clarity to no clarity at all. quite entertaining and explodes all over the place goes horray goes having fun awesom se.
i need to be productive today but i keep getting distracted and now i have seen that this came out today? okay waesomsemmM!M!!!!!>!??!?!?! live recording from 2009 in the french venue instants chavirés, 2009 vomir was very good and this is also quite good, the sound has very rigid edges to it contrasted with a smooth sub bass sound and a rolling esque layer with a bit of fuzz to give it motion, only issue is there is a really faint fuzz hiss layer filling in gaps in the that is just not nice, thankfully it is barely there. i like the motion i like the sound it is quite nice for a live recording to have the layers so destinct, prtty cool to have this available i rlly need to get stuff done now though. subtle soft static layer i just noticed lovely i think i might just sit here and enjoy before i get anything done. ok it has got to the " bro bro are you hearigng.>?this it has like voice s an stuff in there bro there s like voices you hearing this bro?" point, it does sound like shouting screaming with tremolo i am enjoying myself. my cat is here now. overall
nice harsh noise stuff, the intro track was 😮😮😮😮😮😮 the rest is not as whiny though it is more crunch and whirring violent noise, quite fun sound quite fun violent. bus driver charged me too much for bus ticket and didnt even let me keep the fucking ticket so i paid around triple the usual price for no fucking reason and he was a prick about it i wouldnt be that annoying in my job what a worthless miserable cunt bastard. second track has some fun squeaking like a metal squeaky bed or something haha and i like the whatever the push pull kind of interaction swaying mic feedback whatever if you hear it you will know..... swaying breathing. gets a little bit more free, sounds like a jet engine, doesnt go too far to go 😮😮😮😮 just is nice. fourth track has some speech and a nice big sound yippepe. 5th one thins out the sound of the last track and makes it more pe adjacent mashing metal and whiny feedback yummmmym and then goes hash but it is better clarity less crunch. 6th has a rlly good sound yes!!!! yes!!!!!! i hope the 7th track is more like this horray!!!!! last track yes sounds fucking awesome crunchy delay abuse i am making a 😮 face right now. overall a harsh noise album.
wow this is cool wow this is so cool wow wow WOW amplified ice creeping over glass type texture (or just gated rain recording if i can be more boring with my stupid descriptions), amassing over creepy horror movie strings and drone to create a uniquely eerie but kind of camp cheesy horror movie esque atmosphere i dont know very unique for a wall album. the background instrumentation strings stuff thins out and becomes some subtle whistling. this texture sound is so good i cant stop i dont want it to stop it is like exactly what i want it is so soft pillow static massaging brain with cutting through cardboard, the hiss is here hello there is hissin g i really dont want this to move at all i ust want it to stay like this. ok thank god it is still like this but with a tiny drone behind it now. very very worthwile wall album i feel like i am very glad i heard this this will be the last before i sleep now i think in th morning i need to get sht done so i dont know what i will do hopefully will have time for more though.
The Bhima River is a major river in Western India and South India. It flows southeast for 861 kilometres (535 mi) through Maharashtra, Karnataka,...okay cool i like hnw with intros and this one was nice intro, the wall sounds like rattl snake wow ok that is nice, also sounds like one of those wooden rattle shaker musical instruments like the stick with the rattles on it, maybe you know what i mean. timbre makes me think of bug catcher, has a kind of amplifier rattle to it and rattle to it, bass end has some subtle tapping dragging sound it is rlly nice i cant describe it very well, it is quite deep and nice, some very subtle rustling it might not be real but i can say there is soft static in the mix somewhere at least. slow fade into isolated bottom layer tapping texture and the rustling is there i am so glad, i know now what it was reminding me of it is like rain against a tent :D.
the morning wow war techno binge has set me off into a sven kay binge mood probably, have been aware of this album for a long time i think it was one of the first wall projects i know of, sven was one of the first wall people i knew of and i used to like looking through aliases and stuff i found it fun, dont know why i never listened. ok, this is the youtube only occult themed wall label i will maybe get through this all before i sleep it is 12am :D. texture is hi end thin static mid range paper esque crinkly folding texture, the bass is just from the main crinkly texture it is quite thin but i guess that is CREEPY AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA ok. the second half strips an already simple sound down further, making the white noise very prominent and the paper wall now gets shifted into the background, some extra elements drift in and out. strange way to treat sound i think, making the wall a more secondary element and making the tape hiss whatever the focal point is quite a cool idea and you can isolate little nice sounds in th hiss like is there delay on something or am i going insane cool innovative as alwayyssy sysy sysys ys ys ss ysysy quite scary actually gave me a bit of the """"""""""""2chills""""""""""""""""22.
the best music for right now. sound collage soft ambient with samples from tv in both english and some different languages, assorted field recordings sounds ideas taped together with bright coloured masking tape, warm haze and playful b. i feel very cold my feet r freezing. second track is loop hevvy, sparkl shimmering bells and keys loop rlly pretty and hypnotic patterns swaying and building subtle mass of drone loop, second part of this track is stripping this down and building it back up. not a complete departure from.the bizarre nonsens clusterfuck of ideas from before this but.rlly nice. stay for the ending.
i want to write about this i think, sven kay does amazing stuff always innovative always interesting worthwile i love opaque i love absent erratum i love th unbelievalble black magic i loving so much of it awesome. this is weird aproject that is reminding me a lot his super mario bros alias but this feels more dedicated to the bizarre nonsense sounds the neiche experiments. this album is one of the weirdest noise albums i have heard, sounding like a vocaroo field recording of a water tank with harsh nois playing in the next room. the first track here of a reasonable length ends with the field recording dropping out at the end. the second longish track has a field recording of cars passing. the third has a shit-fi noise session in the foreground with the quiet noise recording still underneath. fuck ig awesosme!!!!!!!!!!!!!!!!!!!!aowemse!!!!!!
i do not support mikko i do not support mikko aspa i think you should download for free on soulseek this will probably not be available to buy anyway. it is a universal thing to be like wow this person who does this """"""""""""extremm""""""""""""""""" music also does a soft music!?!?!?!?!?/ w hata? this is 90s mikko, still rooted in noise but treating the sounds a little nicer, everything in the first track is circular and repeats itself locked into a rhythm, industrial machinery scraping rattling metal coloured with drones. the second track has a more windy (and nicer more prominent) and is more selective with what sounds are caught in the repetition, with some fiddling with bells and what sounds like birdsong being quite prominent. third track tries something else, accompanying the main circular repeating pattern is a 3 note melody and a thud as a rhythm with swaying panning, as well as some stuttery samples aand some talking in the background. fourth, bizarrre and has some proper power electronics here with big thud!1!! noise rhythm and whistling synth and violent vokals withs ome drones and junk accompanying. nice suprise. overall album is fine the last track is pretty awesomsm.
hello, listened to this after doing college gig, listened to kevin drumm on the way home but it wasnt great. gig went ok i was basically dead until the last two songs, which i got a little to aggressive with i think, the synth was propped up on a stool and i was worried i was going to knock it off because i was being pretty violent. all the songs were cover songs i didnt like any of the songs but i got to do my space electroniks on top with th korg minilogue which is a fun littl synth i think. i have had too much caffine and sugar today i will probably be awake most of the night. this album is very soft tape ambient with lovely variety of sounds drones and instruments through tape warble (some parts more than others), has a reflective sentimental feeling nostalgic haze high contrast polaroid that kind of thing. gives me goosebumps has that bittersweet longing i want to go back outside in the cold and listen to this and walk around, made me feel . very glad i heard this right now.
listened in a cafe, tried to get work done but i dont know i rlly dont feel like doing anything ever to be honest. this is by ivan veniosov who is the other hnw ivan and a person who i will always need to look into more but never feel like it bcause i am a bastard, he focuses more on weird sounds in hnw with the obscure heaven alias which is probably why i dont want to listn but the alias i like the most is moon eclipse which is more traditional wall sounds with littl amp simulator and other acoustics timbre experiments, yknow just enough experimentation to keep it unique interesting but not enough to make me want to listen to something else (this is opinion this is preference). this alias is themed around a religion called zoroastrianism which is interesting i read a little bit about it but cant concentrate fully but it is cool very old religion, the description says it is also concerned with the history of ancient persia + iran in general as well so that is quite a good nice interesting theme for a hnw project i think !!!!!!!!!!!! th wall is focused on the bass end which is a square buzz, sounds like cable buzz it is not blown out enough to be like :(((( it is more :|||||. the mid range is occupied with quite nice fuzzy crackle emerging from the buzzy bass end and an extra crackle layer of shuffling electronics and slight reverb to give it warmth, a little bit of rubber textur somewhere i dont know i can hear it. gimmicky weird but it is quite ok i think while the length isnt excessive this would have benefitted from more brevity. suprisingly the bass end buzz did not give me a headache, maybe it is because there are background sounds in this cafe. might check out more might not whatever i wrote more than i thought i would maybe i just needed a distraction,
this sound is really cool, tearing cradboard dragging concrete grinding metal chains, thin electronic textur wall evokative of whatever, very volatile sound concentrated falling apart without going anywhere if that makes sense(?), which is a kind of reoccuring sound necrotik fissure has. erratic liquid is actually a kind of accurate term maybe for this sound, the high end is occupied by super high electronic debris drippingfrom the ceiling the bass end is subtle and drags along with the main texture, theres a bit of tapping in here too which is a good sound. because of the high end being so ............... high ... and watery............. it has a weird effect on hearing.............experimental!very unique sounding wall nice to hear new things with wall happening different ideas yknow. bizarre inhos innovative. the length is a burden
kept falling asleep and being barely conscious and then fallin g asleep again all morning until like 2pm maybe? or 1pm i dont remember. had stuff to do today but i dont feel like doing anything. i can get it done in little chunks if i just start today. then i have got to do a cover by sunday i might just say i cant do that there is quite a lot going on. ok this should probably be called crackle queen now lol ok i am such a fucking idiot when i saw the title and who it was by i went🤯🤯🤯🤯🤯🤯 YIPPE!!E!!!!!!!!!! first track soft crackle with no accompanying sound to it, sounds like isolated pebbles hitting against eachother and i think that is awesomse and i absolutely love it. second track is sharper, more like foil rustling, amplified condensation. lovely uneventful isolated texur very nice very good thank you !!!!!! please make stuff next year that would be nice
it is so cold but i have stuff to do today, downloaded quite lot of stuff from soulseek today so i'll see how much i can get through. this is rlly cool, death industrial drones and sparse industrial atmosphere s that creep in hostility until it is full on power electronics assault. flanger electroniks and sharp high end fitting enough for this morning, feels like glaciers 😁🔥🔥🔥😁🔥🔥🔥 so fire it warmd me up! synth play ing is quite diverse, lots of successful ideas and thick atmosphere feels foggy but also like a kind of like maybe being captive tied up in like a big freezer storage area maybe. track 5 has a rlly nice distortion and swaying metal suspensed in th air or smthn. side b is more dark ambient oriented which is in my opinion very much worse, not hugely fussd though it makes my interest sway too much to just not care about the big harsh finale . enjoyed this i will seek out more when i can.
have been getting college stuff done i should write more tomorrow morning if i find anything interesting.
didnt feel like it.
didnt feel like it.
this person wants to do something for the :cat2: 🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈 so i am trying to get familiar with their stuff because they havent sent any demos just the name of project. not sure why they didnt want to do something for their cat related wall project caled it looks at you, but i am not complaining at all i dont mind i trust their judgement if they have an idea i will let them do it whatever they seem to have a lot of ideas . this album is nearly 8 hours of super minimal anw and lowercase noise wall, on sado rituals' label that is nice. first trak sounds like reverbed slowed down pitched down field recording very minimal sound, bubbly. second track is more on the sparse reverbed crackle side still keeping the field recording sound from the wet sound, quite nice and a lot of good stuff in the stereo field. third is more full sound quite a it louder quite dramatically louder ok :). fourth track is like a crinkly prickly sound with reverb i rlly like this. track 5 is distorted bass end (like engine) focus, with reverbed shuffling on top. track 6 is more rigid buzzing shorthwave esque and shufflingg. 09/12/22 track 6 is more shrotwave buzz but with less reverb i kind of am not super into it it goes on too long but it is ifne background sounds. track 7 last track is like a dnw rolling around like a strong turbulence but with some shortwave buzz quite nice . long primitive anw /lnw/dnw i hope they get back to me soon. suprisingly easy to get through even though it is a billion years long.
so much music today! i think it is because i got that application out the way and the rest of th shit i need to do should be smooth sailing, feels good so i am going to have fun. this is some electronics exploration style pe adjacent harsh nois, no vocals just bleak synthesiser noise. some fun flange and lfo play but i the distortion is quite weak sounding (the bass is just plain ugly) and there seems to be no real energy here, some cutouts but they dont do anything really for the entertainment factor and the lack of energy and real depth to the sound most of the time really hinders the fun factor, tile floor no kneepads is fun with the filter play letting the noise swell in fun ways before going to crunch. i rlly like the titles for this they are so silly and fun, orchestral orgasm and expensive condom are silly and fun but hot date is my favourite title because i like the campiness i dont know it is fun and cheesy. granite pelvis sets the album off into fun mode it goes all over the place and the filter play gets more aggressive and the sound thickens out, has some glorious screaming sound with a lot of delay which is great and fun but he keeps locking into a boring dirge every time he hears a new sound he is like ok i am now going to do this for a bit the distortion is still ugly he is overloading the tape now i dont like that sound. ok i have come to the conclusion the bass just fucking sucks on most of this album and i am going to stop writing about it. at best this resembles atrax morgue's harsher stuff (melrose ave, pathophysiology) at worst it resembles complete dogshit wrote too much i think i write more about stuf i dont like than i do like maybe ok.
put this on and two cunts are fighting and i i see it on my way down the escalator they are throwing proper punches and chases one with a chair the security are there and they do fuck all. whtever it felt fitting though and bizarrely humourous. starts with various nonce related samples, moves into the catholic church and noncery which has a clinical death industrial backing which sounds great i am thinking the first atrax morgue album. second track more activity keeps the super high delay far back vocals from the last album with pulsating rhythm and foggy distorted noise, great. third track rigid throbbing dirge electric pulse against my tongue introduces flange layer and more high feedback delay this is so so good the rhythm is super hypnotic. WHAT it is already over?!?!?!?!?!?!?! what the fuck. incredibly excellent fantastic wonderful great super bleak hypnotic just the first track the collage didnt feel like it had much substance much more a bunch of shit that is shocking all glued together, but if i ever am relistening i will make a better judgement. 11 year gap?!?! sucks this guy is probably neonazi? hopefully just using it to shock i am hoping.
oh no! totenkompf in the download for the cover! how unfortunate and genuinely not surprising download for free on soulseek do not give. this sounds awesom good title this sounds awesome more interesting electronics on this one less minimal more of the current year, vocals with a lovely amount of too much delay on them and nois that is big and scary, some buried samples news reports again but not as the main focus of the album. track 3 i thought he was saying hole in one over and over again and i had a little giggl e. some more variety as well, train sounds, banging junk around, electronics different styles, mostly this album reminds me of grunt in the sound and agression and maybe other things. really liked this one to be honest that is good, very violent and fun. track 5 is my favourite i love the far back vocals, track 6 has some death industrial atmosphere goig on with the help of various feedbacks cutting in and out makes me feel like having a nice sick.lovly. last track is like a clici clic loop with sampl over much appreciated. so much win!
nasty lofi power electronics with an arsehole on the cover. simple electronics and feedback bringing that old skewl sound, buried news reports and other uninteresting samples to add more scum flavours and to make up for the lack of vocals (and fill the sound a little more). quite creepy in execution and quite generic but it doesnt matter i want the same thing all the time. gag order the last track is 15 mins long, sample of some guy on the phone being taped trying to get a confession out of someone and he is like naw am nawt dewing thayt. i get the idea of including this i just thing it is not well done, the static is soft. i would have liked more interaction with the sample, some feeback or somethin. oh well.
hasnt started yet but i will ramble for a bit, i have now deleted all of this because it was shit.
first act i dont remember her name but she was fine it is not my type of music but she was mildly funny and her music is i can appreciate it i liked the mechanical winding rhythm on one of the trax dont know what it was called ok laugh out loud funny. second act band called deep fake country lead singer had shmorky voice which was funny the band was ok it was like the emo shit i dont rlly care but it was some nice. listnd to self titled masonna album and had a breath of air because people in there are annoying. commuted was the third act he was cool he was up in everyones faces it was fun unhinged he kept trying to get feedback and the sound guy turned him way down fun and goodm the music wasnt super my thing but i had fun getting shouted at by blonde man. crywank playd 😁 and i was happy they playd, broke string on the first track, had concussion, had silly hat , all good. played my favourite crywank song guilty sadist in a kind of medley of that albums first three sogs, very good. some person next to me was scrolling through facebook while they were playing for quite a while it was pissing me off, he tried getting my attention and tapped me and tried to talk to me so i moved my hand to like waving greeting whatever and he sloppily hi fived me, dissapeared after that. got two tshirts, didnt get the cute dogs kissing tshirt sadly i got a long sleeve which is always nice of the artwork for tommorow is nearly yesterday and a fun frog playing guitar so it isnt all bad. a nice night i stress myself out too much i like stuff like this.
both people are racist and bad people and you can download for free with soulseek horray !!!!!!!!!!!!!! so you shouldnt buy this thank you! i did not! do not support m.ok . deathkey i have heard something by before that was basically complete shit, his war metal project is bizarre (laugh out lo) but not great, from the little i know about him he has a really bizarre ideology, can be summarised with extreme nihilism i thinkm anyway his side is crunchy yummy distorted electronic clawing at the super weighty bass end, the vocals are incomprehensible powerful cursing and being mean whatever i actually did quite enjoy it a lot compared to everything else by him, gets a little ridiculous with the crunch as well pretty immaculate. the bizarre uproar side is a 4 note (!!!!!!!!) loop with some accompanying synth action and shouting, but the fidelity is so shit is unbelievable, Touch and hold a clip to pin it. Unpinned clips will be deleted after 1 hour. drops the loop and goes for more aggression then settles into a dirge. uniquely ugly but i wish he kept at the agressive part the other parts arent great . overall
prefice with he is extremely racist i do not condone support giv money to this is free download on soulseek you can listen on youtube as well do whatever the fuck. ok, slow burning bass loop, does basically nothing for around 8 minutes before bringing in a factory's load of junk metal and metal chains kicking it around banging them together being violent recording is primitive and scummy obviously this is a bu album. loop some metal banging sounds like artillery vocals start they are good, constant buzzing feedback. drops the metal and leaves buzzing, loops again from there with a creeping hostility rather than full on assault ,which is fine but worse. second side is more aggressive horray! buzzy fun feedback whiny and vocals going aa aa aaaaaaa some bubbly synth lots of distorted junk metal, pretty golden standard lovely industrial bdsm nightmare, does not stop, settles into loops but mellows out towards the end sadly, ending with extreme minimal feedback and a loop is so good thoug. very.
trying to finish application so i wont write too much but as soon as i pressed play i wanted to write about this first track starts with a nice wall that has a bass end that sounds like rustling a big sheet of paper, adn then another mid layer gets added stone drag texture, then ANOTHER layer gets added that sounds like tearing through cardboard texture reminds me of one of my favourite placenta lyposuction albums the bleakness but this is way better wow i am absolutely in love with this. second track has a deep sub bass jerky tearing motion layers some reverbed pops and crackles and circular patterns folding in on themselves, paper tears. writing final draft of application right now i waffle so much jesus christ. track 3 squeaky rubber burning tyres and sticks (featuring nice bass end), never really liked these squeaky wall type things ever but i will put up with this ok ok verdict good. track 4 is very cave like slabs of stone, but those poncey types of stone with all the intricate lines on and the pretty colours and stuff, good frequency range nice drag layer centered everything else is kind of all one layer. track 5 is shuffling bass like thunder maybe and a crackle layer and some shuffling, comfy still i dont mind that it isnt particularly interesting. 6th track is another rubbery wall but is sounds more like turbulence, jittery rubber, bass end sounds like roaring fire, i like it i just think i would have liked something a little more grand to end with. i really really liked this album though thank you this application is nearly done. 2 and a half hours long nearly.
it is too early in the morning for work please 😭. at least i get to listen to 😁 good music. this is incredible i chose this because the name is funny but this is amazing big thick distortion and whistling feedback, some aaaaaaa and junk chaos such a good sound i really love this first track such a good sound such a good feeling m😁😁😁😁 sharp like razor excellent sounds incredible feeling. second is worse the distortion isnt isnt isnt amazing it is fine more focused on the wall of electronic noise fiddling, moves into more interest sonic violencc but im still not as BLOWN AWAY as i was with the first it is just ok wallish noise until the little mid range embers start becoming more prominent then it is nice i am thinking anna christie by the rita. third track is goldn didn't have much to say sorry because i was mopping the floor but it is good old skewl american style (david gilden, blj) style brick wall and feedback.
hello, modern serial killer power electronics by this guy, dont know why i chose this to be honest i think i just wanted to read the booklet, each track is dedicated to is different killer, ian kevin huntley the vocals are unconvincing and the noise is dull. steven gerald james wright is a mildly better track the vocals are further back and more conversational like a news report but i dont think it is. robert clive napper is a lot better very whiny feedback laced sound with droning electronics and i like the vocal.s he wrote motifs instead of motives in the booklet that is silly. sidney cooke the track sounds ok but it has some old skewl bubbly wasp synth and some scraping rhythms, ok after reading the booklet i like this more he worked at a fairground the rattling rhythms are like the waltzers or smthn. stephen shaun griffiths the track is ok it is old skewl i guess i dont care discogs wouldnt load so i couldnt load the booklet. torture broad is a stupid name and camply british i like the old skewl droneiny electronics and bubbly wasp synth ok that is twice. all i deserve has really good vocals over synth drones i am glad. men who solicit sex pt 2 has a pretty fun rhythm and is the best track here. peter tobin news report the sound of this track is not good i dont really like this one, booklet wont load anymore i cant be bothered work soon. necrophillia (the track not the act laugh out loud funny) is power electronics. as far as exploitative serial killer power electronics goes this certainly is power electronics and it certainly is that ok it is ok material the booklet is a little silly graphics wise i think i have had enough of this persons stuff.
this is an older shurayuki hime project i am not too familiar with, have only heard the collaboration with james shearman with the cat on the cover. i am happy to say this is just as good as the shurayuki hime stuff if not better, first track main layer is a wood drag texture (more particularly like damp, softened wood against hard concrete), the bass of the sound is very distorted but after the distortion pedal in the chain is a reverb that completely soaks the sound, makes the stereo field more interesting and adds an extra layer to the sound m. some extra shuffling sounds in the background as well as some subtle popping sounds but they are barely noticable behind the wall of reverb. the second track is less like wood dragging more like teeth grinding, the bass is still low and soft, the top grinding layer is quite a bit of fuzz, another layer of subtle shuffling in the mids and another bass layer of distorted grinding, subtle movements. i like the first track a lot more but this is rlly rlly good i like wall releases with destinct individual layers and clear ideas and i love the titles wow.
why is this credited to both bower aliases i am thinking ok it makes sense dripping miasma of guitar colour noodling droning burning up in the sun over a loop of a simple bassline and drums guitar forever expanding so many layers it is wonderful sermon swirling phaser guitar sparkling pitch shift octaver spiral swirling guitar layering monolith drown out the loop i dont care. very good thank you
recommendation from friend thank you creative agressive emotive spastic laptop harsh noise full blast out of an amp. recreates the physical recoils and jerky motions of analogue, focus is on motion of sounds evoking strobe light vision colourful psychedelia, pulls every punch with a great level of tact, even the thinner sounds have a sense of unique character to them, fun synth bleep bloop random osc sines fun obviously, gets stuck on certain parts before exploding like old skewl japanoise, audience is quite reactive in parts yes pleas, overtime the bass builds in mass until is low enough to make you sick, towards the end lets things sit for longer. im going to stop writing now and enjoy i think until i have something to say. spectrum violence. very appreciated. masturbation and isolation.
listened on spotify because second track isnt available on bandcamp for free. i genuinely dont have much to say about this one it just felt important enough to want to include. still sad about celer ending, have been listening for a few years on and off and now it has ended i want to properly dig into it all, mainly going off of titles. i like this title so i chose it it is 2 long tracks the first one doesn't move, just subtle effects modulations and level changes to add colour sometimes, the atmosphere of this track is so cold the bandcamp desription is accurate it is a place to sit underwater but more specifically it is like being frozen in ice and spectating, some very quiet glitchy weird halfway through and one more instance it is so quiet it is barely there. slow fade out so lovely. i let my tea go cold because i didnt want to move. i should probably work on my application it is due on the 5th and i have gotten nowhere with it but if i have music on i dont feel like doing it because i am having a nice time if i turn it off i want to listen to music. second track has a bit more activity but still based on one loop, just some pitch shift sweeps which are fine , high pitch sine wave it is fine it iskind of annoying i wish it wasnt there nevermind it is comforting, the pitch swift sweep things are too prominent please stop doing it, what has he done what happened why is he still doing that, KEEPS GOING LIKE THAT fo r over half an hour, the damage has been done it does improve when he lets it though. self sabotage.
came out yesterday. first track is genuinely very interesting focusing on the bullshitting of some fuck trying to weasel out of responsibility of having killed a young girl called april i havent read about this but this collage lays it out pretty well his explanation is he starts his car and runs her over and is trying to check her pulse and everything, they check his house and her blood it all over bathroom wall and he is floundering, interviewer gets more hostile and direct, looked it up it is referring to the murder of april jones the murderer is mark bridger. transitions very very well into death industrial rhythm bdn style and he is yelling defiance over and over incredibly hypnotic, fade out is dull should have kept it going. i wont go over this one too much in detail, it is quite careful in trying to tell a story and it does a very good job at setting the mood, third track is very sombre and careful fourth track cool flange vocals and weird choice of percussion. ok big long track now ok it is absolutely incredible ok, expansive and melodic and enveloping very sombre and with the """""intelligent""""" junk noise supposed to be his house being demolished 😁 which really happened. thinking very highly of this one wow.